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Course Name | |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
Fall |
Prerequisites | None | |||||
Course Language | ||||||
Course Type | Required | |||||
Course Level | - | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | Group WorkQ&ACritiqueJuryApplication: Experiment / Laboratory / Workshop | |||||
Course Coordinator | ||||||
Course Lecturer(s) |
| |||||
Assistant(s) |
Course Objectives | |
Learning Outcomes | The students who succeeded in this course;
|
Course Description |
| Core Courses | X |
Major Area Courses | ||
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Workshop orientation | None |
2 | Introduction: What is “network of relations” and how it is established? | Exercise to be completed in the studio. Exercise to be completed for the next course. |
3 | What is a composition? The conditions that facilitate perception/grouping: similarity, proximity, continuity, closure. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
4 | Organization principles/types: Determining the outlines of a composition, invisable/guide lines. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
5 | The properties the elements in a composition: shape, size, location, orientation. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
6 | The properties the elements in a composition: transparency. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
7 | The properties the elements in a composition: color. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
8 | The properties the elements in a composition: texture. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
9 | Ordering principles of design: repetition and rhythm. Difference between pattern and composition. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
10 | Ordering principles of design: balance and contrast. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
11 | Ordering principles of design: dominance and hierarchy. | Exercise to be completed in the studio. Exercise to be completed for the next course. |
12 | Organization of relations between the groups in a composition. | Working on the final project. |
13 | Organization of relations between the groups in a composition. | Working on the final project. |
14 | Organization of relations between the groups in a composition. | Working on the final project. |
15 | Preparation for the final presentation. | Working on the final project. |
16 | Review of the semester | None |
Course Notes/Textbooks | Related concepts are explained very briefly in each assignment sheet. |
Suggested Readings/Materials |
Semester Activities | Number | Weigthing |
Participation | 1 | 5 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 7 | 65 |
Presentation / Jury | ||
Project | 1 | 30 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 100 | |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 9 | 144 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | |||
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | 7 | 11 | |
Presentation / Jury | |||
Project | 1 | 29 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | |||
Final Exams | |||
Total | 250 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to use the advanced theoretical and applied knowledge attained in the areas of Visual Communication Design (Multimedia, Photography, Graphic Design and Typography), | X | ||||
2 | To be able to investigate, interpret and evaluate the developments on Visual Communication Design in the world and in Turkey, | X | ||||
3 | To be able combine images and words creatively in order to convey visual ideas | X | ||||
4 | To attain a high level of complex problemsolving using a variety of design methodologies, | X | ||||
5 | To understand the principles of compositional space | X | ||||
6 | To have a clear understanding of creative art direction, | X | ||||
7 | To attain proficiency on the implementation of production standards and to be able to use Visual Communication Design related software and communication technologies. | X | ||||
8 | To have an advanced level knowledge and experience in photography and video production, including image processing, editing and postproduction techniques, | X | ||||
9 | By using a second foreign language at least on an intermediate level, to be able to follow the information in Visual Communication Design and communicate with colleagues, | X | ||||
10 | To have social and ethical awareness in the stages of creating, applying and evaluating the practices related to Visual Communication Design, and to act consciously and sensitively in the application of these values, | X | ||||
11 | To take responsibility both as an individual and as a team member in order to solve creatively the unexpected and unforeseen complex design problems encountered in the Visual Communication Design practices. | X | ||||
12 | To utilize the ability to evaluate and criticize acquired knowledge and skills, to diagnose ones individual educational needs, and undertake selfdirected and continuous education in the discipline. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest